Hope Is Around The Corner

Skateboarding and finding Bristol’s best biryani — Resolutions for 2026

Nikesh writes his new year’s resolutions for himself and the city

The Sudanese Bristolians using art to cope with displacement

In conversation with Rising Arts Agency

Hope Is Around The Corner

Giving a shit is just the beginning

Reflections on the film ‘Steve’, the power of youth services and what we can all do for the young people of our city

A young girl with a blindfold points to the right in front of a stream

Photography

Photo essay: Kitchen Table Photo Club

Music

Sisterhood of sound: 10 years of Saffron

What does belonging mean to you?

The Cable asked members of Bristol Refugee Artists Collective — made up of 15 members who’ve found community and expression through art — to respond to this question. Their artwork reflects the complexities, struggles and unexpected joys of migration

‘Theatre should belong to everyone’: The Bristol artist exploring social change on stage

Portuguese artist Carlota Matos, who made her home in Bristol, uses theatre to tell stories by and with marginalised communities

After the crowdfunder: how can cultural spaces not just survive, but thrive?

In Bristol and elsewhere, campaigns to safeguard arts venues’ future are commonplace – and regularly smash fundraising targets. But the hard work doesn’t stop there.

‘Speaking is a political act’: Bristol artists push Arnolfini for action over Palestine controversy

The prominent gallery has apologised for cancelling two events from the Palestine Film Festival in November – but an emerging artists-led campaign says it doesn’t go far enough.

Listen: Bristol Unpacked with Watershed CEO Clare Reddington on cinema, class and council cuts

As Bristol City Council slashes spending on venues including arthouse cinema Watershed, Neil asks its boss Clare why funding the arts matters, and whether the sector's reputation as catering mainly to the well-heeled is justified.

Darin J Sallam on what shaped her creative life, her film Farha and the controversy it sparked from the Middle East to Bristol

Sallam’s film has been praised for its bravery in choosing to tackle the events of the Nakba – one of very few films to do so – but was also heavily criticised by Israeli authorities and prompted a boycott campaign